The Tell-Tale Heart

A young solicitor, administering the will of a recently dead old lady, is drawn into a sinister web of events centring on her abandoned house.

Nothing is quite as scary as puberty in this exuberant feminist pre-teen body horror from first time Malaysian director Amanda Nell Eu.

Like Ghostwatch reimagined as a cheesy 1970s chat show, this deviously clever found-footage horror has scares to spare.

In Charlotte Colbert’s strikingly gothic film, an ageing actor recovering from a mastectomy taps into a mysterious power at a remote Scottish retreat.

Bringing a whole new meaning to the term ‘period film’, Andrew Cumming’s Palaeolithic horror movie is a true original.

Australian filmmaking brothers Danny and Michael Philippou’s feature film debut nods to their background as viral-video sensations.

A group of guests assembled at a country house swap uncanny and supernatural stories in this classic Ealing chiller from 1945.

Hammer's 1958 version of Stoker's Gothic novel was the most exciting to date, boasting lavish costumes and sets, a vibrant score and red, red blood.

Classic Hammer horror of a reanimated ancient Egyptian mummy, who returns from his tomb to seek vengeance on its desecrators.

The gothic horror that ushered in a wave of cinematic terror, starring Boris Karloff as the reconstructed monster with a human soul.

Bill Nighy plays the arch detective investigating a series of grisly murders around the music halls of Victorian London, in this pungent Gothic mystery.

Lenny Abrahamson (Room, Frank) directs this Gothic mystery, with Domhnall Gleeson as a doctor helping the heir of a haunted stately home (Ruth Wilson).

An ex-con is sent to catch stray dogs in the Gobi Desert in Guan Hu’s picturesque, Cannes prize-winning, canine caper.

Sleepwalking into submerged depths of memory, a mother’s dream and a daughter’s beckoning, this fascinating film tenderly untangles the knots of the past.

A striking portrait of an artist deserving of greater recognition, directed by Mark Cousins (A Story of Film).

Johan Grimonprez’s involving film essay, anchored by the rhythm of American jazz, reveals disturbing truths about the decolonial struggle between global political powers.

This powerful documentary from a Palestinian-Israeli collective might be one of the most important films of this year.

Shujun Wei's slow-burn noir draws us inexorably into its mysterious psychological journey.