Partie de campagne

Malcolm McDowell and Helen Mirren star in one of the most controversial films in cinema history, presented here in an entirely new cut compiled from the original rushes.

Luchino Visconti's final film is a brilliant and disturbing drama set against the opulent backdrop of decadent, late 19th-century aristocracy.

A widowed doctor has gruesome plans for his new wife in this lush, Hitchcockian Italian gothic horror.

Florence Pugh shines in this exceptional British debut of a young wife's need for freedom, whatever the cost.

An unnervingly brilliant portrait of the ways in which the Pinochet dictatorship realised its brute force and pervasive influence, from debut director Manuela Martelli. Winner of the 2022 BFI London Film Festival First Feature Competition.

Peter Greenaway became a director of international status with this witty, stylised, erotic country house murder mystery.

Jean Cocteau’s ravishingly restored 1946 film is a cinematic classic. “Five stars. [This] magical exploration of the fairytale is a compelling and bizarre masterpiece” – Peter Bradshaw, The Guardian

Jacques Rivette’s biggest commercial hit is an exhilarating combination of theatricality, paranoia and ‘la vie parisienne’, around an entrancing examination of making and watching films.

Jeunet and Caro's endlessly inventive and wildly enjoyable post-apocalyptic black comedy, about a sinister butcher and the circus clown who becomes his nemesis.

Renoir's depiction of an intransigent society teetering towards disaster was derided upon release and only later acclaimed as one of cinema’s most vital films.

Alejandro González Iñárritu's (Birdman, The Revenant) gripping debut feature is a savagely brilliant triptych around the theme of animalistic desires.

Matt Dillon and his not-so-merry band of junkies rob pharmacies and cheat death.

Merchant Ivory’s landmark adaptation of E M Forster’s classic LGBTQ+ novel and a precursor to the James Ivory-scripted Call Me By Your Name, starring Hugh Grant, James Wilby and Rupert Graves.

Victor Kossakovsky’s film essay looks at the way we have constructed our built world through a series of breathtaking sequences.

A British-Palestinian drag performer catches the eye of a strait-laced white man in Amrou Al-Kadhi’s stunning, semi-autobiographical debut.

Following the Six-Day War in 1967, a young Palestinian refugee boy yearns to be reunited with his father and joins a band of freedom fighters.