Leaving soon
Leaving soon films![](/sites/default/files/styles/landscape_32x18/public/hero-images/Saint_Jack-3-1920.jpg?itok=wqurngBO)
Saint Jack Saint Jack
Melodrama 1979 115 mins Director: Peter Bogdanovich
An American pimp spends his days hustling on the streets of 1970s Singapore, but dreams of more, in Peter Bogdanovich’s sultry screen adaptation of Paul Theroux’s novel.
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The Score The Score
Musical 2021 100 mins Director: Malachi Smyth
A British heist musical with an unsettling edge, starring Naomi Ackie, Johnny Flynn and Will Poulter.
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Blaze Blaze
Crime 2022 102 mins Director: Del Kathryn Barton
In artist Del Kathryn Barton’s dazzling feature debut, a young girl retreats into a fantasy world to cope with witnessing a horrifying act of violence.
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El Ángel El Ángel
Crime 2018 115 mins Director: Luis Ortega
The controversial exploits of baby-faced Argentine serial killer Carlos Robledo Puch are exhilaratingly reinterpreted in this stylish biopic.
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Towers of Silence Towers of Silence
Drama 1975 51 mins Director: Jamil Dehlavi
Weaving together scenes of Zoroastrian funerary rituals, Jamil Dehlavi's early experimental film juxtaposes traumatic landscapes of sex, death, and faith.
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The Blood of Hussain The Blood of Hussain
Drama 1981 106 mins Director: Jamil Dehlavi
Allegorical tale of revolutionary struggle against injustice and oppression which follows the mourning procession for the murdered Hussain, grandson of the Prophet Muhammad.
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Immaculate Conception Immaculate Conception
Drama 1992 123 mins Director: Jamil Dehlavi
A western couple struggling to conceive a child visit a fertility shrine in Karachi and find themselves caught in a world of fantasy and exploitation.
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The Living End The Living End
Drama 1992 85 mins Director: Gregg Araki
In this cult piece of New Queer Cinema, two unlikely buddies hit the road with a nihilistic mission after they're both diagnosed with HIV.
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Dead of Night (aka Deathdream) Dead of Night (aka Deathdream)
Drama 1978 88 mins Director: Bob Clark
A soldier killed in the Vietnam War returns home on the night of his death in Bob Clark’s deft blend of searing political allegory and wicked grindhouse thrills.